Category: Aesthetics

Leo Löwenthal: On Sociology of Literature. 1948

Source: [easyazon_link identifier=”0878554890″ locale=”US” tag=”mainacademicsite-20″]Literature and Mass Culture. Communication in Society,[/easyazon_link] Volume 1. Leo Lowenthal, published by Transaction Books, 1984. Leo Löwenthal (1900-1993) was a sociologist associated with the Frankfurt School. He began his career by joining the Institute for Social Research in 1927 and became managing editor of its journal Zeitschrift für Sozialforschung. Soon thereafter he migrated to the United States where he held various positions, including research director for Voice of America, the Stanford Center for the Advanced Study of the Behavior Sciences, and finally settled in the department of sociology at the University of California, Berkeley. His...

Manifesto for an Independent Revolutionary Art. 1938.

Written in 1938, during André Breton’s trip to Mexico, where he visited Leon Trotsky. It is signed by André Breton and Diego Rivera. It is believed that the Manifesto was written by Trotsky and André Breton, although it was signed by Rivera and Breton. The trip to Mexico provided the opportunity for Breton to meet Leon Trotsky. Breton and his friends traveled via a long boat ride from Patzcuaro to the town of Erongaricuaro. Diego Rivera and Frida Kahlo were among the visitors to the hidden community of intellectuals and artists. Together, Breton and Trotsky wrote the manifesto Pour un art...

Benjamin: The Work of Art in the Age of Mechanical Reproduction. 1936

This text was written in 1936. “Our fine arts were developed, their types and uses were established, in times very different from the present, by men whose power of action upon things was insignificant in comparison with ours. But the amazing growth of our techniques, the adaptability and precision they have attained, the ideas and habits they are creating, make it a certainty that profound changes are impending in the ancient craft of the Beautiful. In all the arts there is a physical component which can no longer be considered or treated as it used to be, which cannot remain...

Adorno: music and language – a fragment

This fragment was written in 1956. it is published in “[easyazon_link identifier=”B004VYF1A0″ locale=”US” tag=”mainacademicsite-20″]Quasi una Fantasia, Essays on Modern Music.” by Theodor W. Adorno[/easyazon_link]. (Translated by Rodney Livingstone), VERSO, London, New York. Adorno compares music and language, and also outlines a theory of modern aesthetics. Here is the text: “Music resembles a language. Expressions such as musical idiom, musical intonation, are not simply metaphors. But music is not identical with language. The resemblance points to something essential, but vague. Anyone who takes it literally will be seriously misled. Music resembles language in the sense that it is a temporal sequence...